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This being a Willis vehicle, naturally he gets to deliver a pithy one-liner or two. Later on, even as they’re fighting for their lives, father and son take the time to have a lengthy chat in which they attempt to work out their issues. There’s plenty of gory violence and action, including a car chase (one of the more contrived elements), but the pacing is so sluggish and the execution so humdrum that you begin to think that it’s not so much a question of surviving the night but staying awake through it.Įven worse are the so-called dramatic moments, including an early scene in which Frank agonizes to his wife about his failings as a father, which have the feel of rewrites demanded by Willis to beef up his character. Eventually, of course, Frank springs into action, or, considering his overall rustiness, at least limps into it.Įven considering the time-tested reliability of the scenario, director Matt Eskandari and screenwriter Doug Wolfe somehow manage to render it utterly devoid of suspense. Breaking into the home, they accidentally kill Rich’s mother and then threaten to murder the rest of his family unless he operates on Mathias’ leg.Ĭue the predictable plot mechanics, as Rich desperately attempts to stall for time - he’s convinced that he’ll botch the job if he attempts the surgery - and prevent the men from harming his family. Unwilling to risk Mathias’ being treated in a hospital, the criminals instead follow Rich home from work. His careless brutality becomes a major problem when the two rob a convenience store, with Jamie gunning down a customer and Mathias getting shot and seriously wounded by the armed clerk. Mathias is the brains of the two, not wanting to hurt people if he can help it, while the hot-headed Jamie is a loose cannon, all too willing to resort to violence.
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As the story begins, we’re introduced to criminal siblings Mathias (Tyler Jon Olson) and Jamie (Shea Buckner), who, like so many nefarious duos, have distinctly different personalities.